London Photographic: 14. Peter Henry Emerson, Naturalistic Photography (london Photographic: Sampson Low, Marston, Searle and Rivington, 1889), p. 161.
15. Richard Leach Maddox, "An Experiment with Gelatino Bromide," British Journal of Photography, vol. 18 (1871), pp. 422-23.
16. From the rhyme "Gelatine" signed "Marc Oute" in British Journal Photographic Almanac (1881), p. 213.
11.The Philadelphia Photographer, vol. 20 (1883), pp. 305-06.
18. Quoted in W. B. Ferguson, Photographic Researches of Ferdinand Hurter and Vero C. Driffield (london Photographic: The Royal Photographic Society of Great Britain, 1920), p. 6.
19-Ibid., p. 76.
1.Foreign Quarterly Review, 1839, pp. 213-18.
2. Lake Price, A Manual of Photographic Manipulation, 2d ed. (london Photographic: John Churchill & Sons, 1858), p. 174.
3.Photographic Notes, vol. 4 (October 1, 1859), pp. 239-40.
4. Ibid.
5. Ibid., vol. 5 (1860), 12-13.
6. Photographic News, vol. 5 (May 24, 1861), p. 242.
7. Oliver Wendell Holmes, "The Human Wheel, Its Spokes and Felloes," Atlantic Monthly, vol. 11 (May 1863), pp. 567-80.
8. Ibid. '
21. Raymond Escholier, Delacroix (Paris: H. Floury, 1929), vol. 3, p. 201.
22. Beaumont Newhall, The Daguerreotype in America (New York: Dover Publications, Inc., 1976), p. 83.
23. The Studio (london Photographic), vol. 1 (1893), p. 6.
24. Photographic Notes, vol. 8 (1863), p. 16.
25. Charles Baudelaire, The Mirror of Art (london Photographic: Phaidon Press Limited, 1955), pp. 228-31.* |
