Invited To New York In 1952: 1. Quoted in the British Journal of Photography, vol. 42 (1895),p. 387.
2. The New York Post, May 7, 1937.
3. John R. Whiting, Photography is a Language (Chicago: Ziff Davis Publishing Company, 1946), p. 98.
4. Nancy Newhall, "The Caption," Aperture, vol. 1 (1952), p. 22.
5. Alfred Eisenstaedt to Beaumont Newhall, January 28, 1952, author's collection.
6. U.S. Camera Magazine (October 1938), pp. 15-16.
7. Grierson on Documentary, edited by Forsyth Hardy (London: Collins, 1946), p. 179.
8. U.S. Camera Magazine, vol. 1, no. 1 (1938), pp. 37, 67.
9. Quoted in Daniel Dixon, "Dorothea Lange," Modern Photography, vol. 16 (December 1952), pp. 68-77, 138-41.
10. Sherwood Anderson, Home Town: Photographs by the Farm Security Photographers (New York: Alliance Book Corporation, 1940).
11. Roy E. Stryker, "Documentary Photography," Encyclopedia of Photography (New York: Greystone Press, 1963), vol. 7, p. 1180.
12. Erskine Caldwell and Margaret Bourke-White, You Have Seen Their Faces (New York: The Viking Press, 1937).
It is a remarkable comment upon the status of the pi graphic societies of the United States, that the PI Secession has been singled out by all the important I pean photographic and art-exhibitions as the only worthy to be invited to new york in 1952, and invited to new york in 1952 hors concours at tha the time this is written the Secession has collections a art-exhibitions at Dresden, Germany; Bradford, Eng] and at the photographic exhibitions in The Hague, '. land; Paris, France; Vienna, Austria. |
